Song of Solomon 7: The Shifting States of Consciousness

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Quick Insights

The chapter reads as an intimate inventory of inner faculties, celebrating the body's images as faculties of consciousness that together create attraction and fulfillment.
Each image marks a state of being: foundation, appetite, perception, speech, and joyous fruition; these are stages in the psyche's movement toward wholeness.
Desire is shown not as lack but as creative energy that, when imagined and felt as already true, organizes experience and reality.
The dialogue between the lovers is an inner conversation between identity and longing, where imagination and feeling conspire to birth a lived world.

What is the Main Point of Song Of Solomon 7?

At its heart the chapter teaches that the soulful imagination, when focused with reverent feeling on the beloved within, remakes the landscape of experience; the sensual metaphors name parts of the psyche that, aligned and richly felt, draw into being their corresponding outer expressions. When attention dwells on the inner beauty and sufficient feeling accompanies the image, the mind behaves like a fertile field and the life it touches grows accordingly.

What is the Spiritual Meaning of Song Of Solomon 7?

The flattering descriptions are not mere praise of flesh but a psychological map. Feet with shoes suggest a grounded state of being that moves with dignity; thighs studded like jewels point to strength and integrity that are crafted by attention. The round navel and bountiful belly speak of receptivity and inner abundance, a place where imagination pours its sustaining liquor. These are the seeds of a consciousness that knows itself as cared for and capable of giving and receiving pleasure and support. Perception and expression are elevated next: eyes like pools and a neck like ivory tower describe clear seeing and noble posture of awareness; the mouth, likened to fine wine, signals speech that flows sweetly and awakens what sleeps. This sequence is a lived psychological process: first steadiness and nourishment, then clarity of sight, then speech that confirms the inner state. When imagined and felt, speech becomes a sacramental act that quickens dormant parts of the self, causing metaphorical lips of sleep to speak. The invitation to go into the field and the vineyard is an instruction in cultivation. Early rising to the vineyards is early attention to an idea; to see whether the vine flourishes is to monitor growth without forcing it. The mandrakes and stored fruits are symbols of past and present imaginative harvests, preserved for the beloved self. The practice implied here is tender vigilance: tend the inner garden, notice budding desire, celebrate ripening, and harvest lovingly. This is not impulsive grasping but steady creative tending where imagination, feeling, and patient observation combine to bring latent potentials into fruition.

Key Symbols Decoded

The body becomes a landscape of consciousness: feet and stature speak to the posture of belief, whether you stand on the reality you want or a default fear. Breasts and the overflowing belly represent nourishment given and received—images of appetite transformed into sustenance when the imagination nurtures. Eyes and nose indicate perception and attraction; what you scent and see in the inner world determines where your mind will move. The mouth and wine are about the savoring of inner truth and the power of affirmation that tastes and makes experience sweet. The vineyard and its cycles decode as stages of inner work: planting, waiting, watching for buds, and collecting fruit. Mandrakes and stored fruits are memory and the accumulated proof that the imagination works; they remind the practitioner that inner acts have produced visible bounty before and will do so again when attention returns. The beloved and the lover are not two people but two poles within: one that adores and one that is adored, or the will that imagines and the feeling that animates. When these poles unite in clear, embodied imagining, reality bends toward the fulfilled imagination.

Practical Application

Begin by naming and feeling each faculty the chapter praises: feel the steadiness of your feet, imagine a warm, receptive belly, visualize eyes that drink in what you want to see, and taste the sweetness of words that affirm your state. Move slowly through these images until they elicit a corresponding bodily feeling. Hold a single scene in imagination in the present tense—an intimate, complete picture where you are already the beloved and your world reflects that inner state—and accompany it with sincere, tranquil feeling until it feels natural rather than strained. Then give the inner scene a short phrase or sentence to speak softly to yourself, like a vow that seals the feeling. Visit the inner vineyard daily: watch for tender signs of growth in mood and behavior, refrain from forcing outcomes, and collect small evidences as proof that the inner cultivation is working. Over time this steady, embodied imagining reshapes appetites and perception, and the outer circumstances will follow the pattern first established within the heart and mind.

Staging the Soul: Song of Solomon 7 as a Psychological Drama

Song of Solomon chapter seven, when read as an inner drama, is not a love poem between two separate people but a vivid map of the creative life unfolding inside consciousness. Each image is a theater of states of mind, each beloved and lover a function of the self, and the landscape of vines, fields, towers and pools is the interior terrain where imagination fashions experience. Read this chapter as a psychological play and you will find a precise guide to how imagination creates and transforms reality.

The opening line praising the feet with shoes signals readiness and direction. Feet carry you into imagined regions; shoes are the readiness to embody an assumption. When the inner life is suitably prepared and clothed, movement toward an end becomes beautiful. The prince's daughter is a high-born state of awareness, dignity brought to the journeying aspect of mind. The joints of the thighs likened to jewels describe the strength and flexibility of will and desire. Joints make motion possible; when they are jewel-like, the power to advance is refined and precious. This is the imagination mobilized, polished by attention and worthy of the end sought.

The navel as a round goblet that lacks no liquor points to the core reservoir of life within. Here is the center of reception, the deep well of feeling and substance that the imaginal self drinks from. The belly like a heap of wheat set about with lilies is abundance clothed by purity and delight. Wheat stands for harvest, the realized fruits of prior imaginal acts; lilies symbolize the quality of delight that surrounds and sanctifies those fruits. This is not mere physical appetite but faith in inner sufficiency. When you inhabit the conviction that your inner store is full, outer lack loses its power.

Breasts like twin roes speak of nourishment and gentle sustenance. In psychological terms, they are the sustaining images that soothe and provide for the emerging self. They are tender sources of comfort and creative energy. The neck called a tower of ivory is the high bridge between reason and feeling, between heaven and earth in the psyche. Towers represent aspiration and refuge; ivory intimates purity and strength. The neck holds the head and channels impulse; when it is strong, expressive thought and desire flow without distortion.

Eyes compared to fishpools in Heshbon are the reflective faculties of awareness. Pools gather light and depth; when the mind’s gaze rests in such pools, it sees beneath surface illusions. The nose like the tower of Lebanon looking toward Damascus is the sense of direction and refinement of longing. Senses in the psyche are not mere perception but vectors of attraction; the nose that looks toward another city suggests longing oriented toward a specific imagined consummation.

Head like Carmel and hair like purple identify the summit of consciousness as fertile and royal. Carmel is a fruitful ridge; a head like Carmel indicates a mind that is a place of growth and yield. Purple hair speaks of dignity, sovereignty of imagination. The king held in the galleries indicates the inner sovereign, the feeling of being recognized and enthroned by the higher self when beauty and intentionality come together. In other words, when your inner imagery is precise, sensuous, and honorable, your own higher nature is captivated and lends its power to the enterprise.

Stature like a palm tree and breasts like clusters of grapes dramatize verticality and fruitfulness. The palm tree stands tall, erect and reaching; taking hold of its boughs expresses the deliberate act of mounting to a higher vantage and claiming sustenance. Grapes and vines are classical images of sustained creative output: clusters grow because the vine was nurtured. Saying I will go up to the palm tree is a decision to ascend into the higher imaginative state and actually take hold of the life that hangs there.

The roof of the mouth like the best wine for my beloved is an image of intimate language, the quality of private inner speech. Best wine implies luxurious, mature expression, the kind of inner utterance that intoxicates and dissolves limiting belief. It goes down sweetly, causing the lips of those asleep to speak. Here is an important psychological law: a richly sensuous inner declaration, spoken in imagination, will awaken the sleeping powers within. The lips of those asleep are the parts of the subconscious that, when moved by a vivid imaginal scene, will begin to voice and enact the new state even though they were previously inert.

The confessional statement I am my beloved's, and his desire is toward me, reveals total identification with the chosen state. This is the psychological pivot. The lover and the beloved are not two separate beings; they are the active and receptive poles of one consciousness. To say I am my beloved's is to realize that your identity now belongs to the fulfilled assumption, that your inner allegiance is no longer to lack but to the desired reality. The recognition that his desire is toward me means the imagined state itself inclines toward you; it is attracted to its reflection. In practical terms, when you assume the state of having and being that you want, you will find a reciprocal movement within the psyche toward that assumed reality.

Come, my beloved, let us go forth into the field; let us lodge in the villages shifts the drama into practical application. Fields, villages and vineyards are the everyday scenes of life. To lodge in villages is to take up residence in common experience while maintaining the assumed state. This is the practice: carry the inner assumption out among ordinary things and live from it. Early rising to the vineyards to see if the vine flourish is not a test of external conditions but a habit of attention. Check the vine: not with the rational eye that counts lack, but with the imaginal eye that discerns subtle growth. Look for budding pomegranates and tender grapes. These budding signs are inner confirmations, small shifts of feeling and circumstance that indicate the imaginal act is taking root.

Mandrakes give a smell; at our gates are all manner of pleasant fruits, new and old summarizes the principle of attraction and integration. Mandrakes were historically associated with potency and magnetism; psychologically they symbolize the power of sexualized creative energy, active when your imaginal field lingers on desire fulfilled. The presence of new and old fruits at the gate suggests the blending of past imaginings and present assumptions. Nothing in consciousness is wasted; earlier images, long forgotten, contribute to current fruition when the present assumption harmonizes with them. The gate is the entry point through which inner fruition manifests outwardly, and the pleasant fruits are the varied expressions of the one creative life.

This chapter, understood as biblical psychology, teaches that imagination is the operative God within. The language of body and landscape are metaphors for functions of awareness: readiness, nourishment, aspiration, sovereign enthronement, vertical ascent, fruitful labor, intimate speech, identification, and practical embodiment. The beloved is not other; it is the assumed state you cultivate. The lover is the active imaginative will that courts and persuades the interior beloved into being your present identity.

Practically, the teaching is simple but exacting. Form a sensuous, detailed inner scene of the end already fulfilled. Engage the senses: feel the fullness in the navel, the abundance in the belly, the sweetness of the roof of the mouth. Clothe your feet for the journey; make your joints jewel-like by giving them flexibility and resolve. Speak inwardly with the quality of best wine until the lips of the sleeping powers speak. Live among ordinary things while centered in the vineyard; each morning examine the vine with the patient expectancy of one who knows harvest is natural to well-tended soil. Allow both new imaginings and old memories to feed the present expectation, for both will bring fruit.

Song of Solomon 7, then, is an instruction in how to enthrone imagination in the inner court and how to let that enthroned creativity irrigate the field of daily life. It invites you to become the prince's daughter in dignity, the possessor of a jewelled mobility, full of a goblet that wants no liquor, crowned on Carmel, speaking the best wine. It promises that when the inner harvest is tended in feeling and image, the world will reflect that abundance back to you in ways both subtle and obvious. In this drama, the curtain never really parts; the stage is consciousness, and the ending is always the present act of assuming and persisting in the state you wish to know.

Common Questions About Song Of Solomon 7

What is the spiritual meaning of Song of Solomon 7 from Neville Goddard's perspective?

Song of Solomon 7 reads as an intimate allegory of the human imagination becoming aware of its own creative power; the beloved's beauty and the vineyard imagery are not merely romantic but symbolize the inner field where desire ripens into experience. The sensual descriptions point to vivid sensory feeling, the only language imagination understands, and the declaration I am my beloved's signals complete identification with the wished-for state. Read with the Bible as a book of consciousness, the chapter invites one to dwell in the desired scene until it feels real, for in that assumed state the outer life must correspond (Song 7:10-12).

Are there Neville Goddard lectures or writings that directly reference Song of Solomon 7?

Neville frequently used the Song of Solomon as scripture of the imagination, drawing from its rich imagery across lectures and writings to illustrate assumption and feeling as the creative cause; while specific chapter-and-verse citations vary among his talks, you will find extended exegesis of the Song in many of his recorded lectures and published compilations. To locate direct references to chapter 7, consult Neville's lecture transcripts and the collected works where he treats the Song as a manual for states, or search reliable Neville archives for 'Song of Solomon' to read his commentary alongside the biblical text for spiritual application.

How can I apply the imagery in Song of Solomon 7 to manifest love using Goddard's techniques?

Begin by constructing a single, vivid scene drawn from the chapter in which you are already embraced and cherished, noticing the sensory details—the scent of apples, the vine, the touch—and enter it in imagination until the feeling of being beloved is unquestionable; live in that end mentally for a few minutes daily and at night before sleep. Use the declaration I am my beloved's as an inner affirmation to settle identity, then let go and act from that state in daily life. Neville counseled that persistent assumption, coupled with feeling, transforms inner states into outer events, so persist until the evidence appears (Song 7:10-12).

What visualization or revision practices align Song of Solomon 7 with Goddard-style consciousness work?

Use the chapter as a script for nightly imaginal rehearsals: revise any past loneliness by replaying a scene from Song 7 in which you are cherished, embellish sensory details until the feeling is vivid, and repeat until the state is fixed; employ short, declarative assumptions such as I am my beloved's to anchor identity, then inhabit that state throughout the day. For manifestation, imagine scenes that imply the outcome already achieved—walking to the vineyards, receiving affection—allowing the subconscious to arrange means. Revision of past events and living in the end are the practical techniques that make the Song a working template for inner transformation (Song 7:10-12).

Which verses in Song of Solomon 7 best illustrate Goddard's principle that imagination creates reality?

Certain phrases act as keys: the confident I am my beloved's (Song 7:10) is a direct statement of assumed identity, and the invitation to come into the field and the vineyards (Song 7:11) reads as a movement of consciousness into fruition; the sensory portrayals of smell, taste, and touch (Song 7:8-9) model the vivid feeling necessary to impress the subconscious. These verses teach that sustained imaginative being, described as possession and visitation, precedes physical manifestation; in practical terms, dwell in these lines inwardly until they become your lived reality and outer life will follow.