Psalms 35
Explore Psalm 35 as a guide to inner states—how strong and weak are shifts in consciousness and paths to spiritual awakening. Alternates: - Read Psalm 35 as a
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🔍 Explore Verse Ranges in Psalms 35
Quick Insights
- The psalm stages inner conflict as a psychological battle where hostile ideas and fears press in and demand an active response.
- Imagination that takes up the role of defender—shield, buckler, spear—is the conscious faculty that rearranges perception and neutralizes traps of doubt.
- Hostile others and false witnesses represent inner stories and projections that, when exposed to attention and assumed reversal, crumble into their own devices.
- Praise, rejoicing, and the steady voice of vindication are the felt-state that completes the transformation, anchoring a new reality from within.
What is the Main Point of Psalms 35?
At the heart of the chapter is the simple but decisive principle that the state you inhabit in imagination determines the course of outward experience: when you assume and sustain the posture of protected, vindicated, and thankful consciousness, the psychic forces arrayed against you lose power and your world rearranges to match that inner reality. The plea for rescue is first a command to attention—draw up your inner defenses, speak salvation to your own soul, and refuse to participate in the narratives that would make you small or defeated. The work is not to argue with external events but to occupy the inner state that already contains the outcome you desire, persistently and with feeling, until it becomes the only filter through which life is perceived.
What is the Spiritual Meaning of Psalms 35?
The opening cry to be defended reads as an admission that fragmented attention has been allowed to wander into fear, and that restoration requires an intentional reorientation. Calling up shield and buckler is a poetic way to say: choose a protective identity and keep it before you; let your imagination practice the posture of strength and support. This is not about aggression but about reclaiming stewardship of attention. When the mind acts as its own guardian, it refuses to nourish the stories that feed anxiety, and those stories begin to dissipate. The catalogue of deceit, hidden nets, and hypocritical mockers is an unveiling of how the psyche manufactures enemies: companions turned accusers, memories dressed as present threats, and imagined betrayals that amplify isolation. These are projections of shame, resentment, or insecurity seeking habitation in consciousness. To name them and observe how they operate is to put them under the light of attention; under that scrutiny a trap loses its secretiveness and tends to entangle itself—paradoxically exposing the inner mechanism that produced it so it can be unmade. The turn toward joy, thanksgiving, and public praise represents the enacted reversal. Gratitude is not merely a response to having been saved; it is the vehicle of salvation because it shifts the nervous system into a state that magnetizes consonant evidence. When the tongue speaks righteousness all day, it is not producing empty words but rehearsing a felt identity that informs perception and behavior. The spiritual process, lived, is short: recognize the assault, withdraw attention from the false story, assume the state of deliverance with sensory detail, and persist until your outer circumstances align with that inward fact.
Key Symbols Decoded
Shield and buckler function as metaphors for the self-image you carry—fully capable, defended, and centered—whenever you rehearse them imaginally you create a protective field that repels intrusions of fear. The spear and the stopping of the persecutor reveal the active use of intentional thought: there are moments when imagination must cut through narrative and prevent a procession of anxious expectations from proceeding. Nets, pits, and hidden snares are the cunning strategies of past hurts dressed up as present facts; they symbolize the habitual patterns that catch attention when you unwittingly step into familiar roles of victim or ashamed actor. The angel that chases and persecutes the enemies is the directed will or focused imagination that pursues those limiting constructs until they unravel; it represents a part of consciousness that enforces the ruling assumption. Chaff before the wind speaks to the transitory nature of hostile thoughts when they are no longer fed: once your attention ceases to supply them, they scatter. Rejoicing in the congregation and the language of praise point to communal and internalized acceptance—when you celebrate the new state within, you anchor it socially and neurophysiologically, making the inner change more durable.
Practical Application
Begin with a scene in imagination where the soul hears, in a voice of certainty, "I am thy salvation." Place yourself inside that moment with feeling: feel the weight lift, the warmth of protection, the physical relief in the chest. Picture the instruments of attack—the net, the lip of mockery, the sly smile—being drawn taut and then failing of their own making; visualize the snares snapping back on their owners and the designs dissolving into dust. Repeat this rehearsal until the emotion of safety and vindication is primary; do not argue with evidence that contradicts the feeling, simply return to the scene and allow its sensory particulars to grow richer and truer. As you cultivate the inner courtroom, practice gratitude as the seal of the state: speak to yourself words of praise and recount, aloud in private or quietly in thought, how you have been sustained. When old accusations rise, thank them for showing themselves and let the gratitude carry you back to the imagined victory. Over time enact small outward gestures that reflect your inner posture—steady speech, calm decisions, courteous refusal to be drawn into gossip—so that behavior and imagination cohere. The daily discipline is gentle but persistent: imagine, feel, persist, and let the world adjust to the consciousness you now inhabit.
The Psalmist's Battle Cry: Plea, Perseverance, and Vindication
Psalm 35, read as inner drama, is a scene played out on the stage of consciousness. The speaker opening with 'Plead my cause, O LORD, with them that strive with me' is not literally petitioning an external deity but is addressing the higher, creative faculty within the self. This faculty is the center of imagination, attention, and judgment that alone can marshal inner resources and transform outer experience. The enemies named in the psalm are states of mind: accusation, envy, slander, secret malice, habitual worry. They are not people but patterns of thought that assault the heart and obscure the soul's sense of its own wholeness.
The opening cry to 'take hold of shield and buckler' and 'draw out also the spear' frames the imagination as a military commander. Shield and buckler represent defensive mental practices: attention fixed on truth, affirmations that deflect fear, images that protect. The spear is concentrated intent, the focused imagination that stops the way of persecution. When the inner self commands these instruments it is training the mind to act as protector and liberator rather than as a passive sufferer of circumstance. In this account the Lord is not an external rescuer but the creative I AM operating from within: the self that says I am thy salvation and thereby becomes it.
Enemies being 'confounded' and 'as chaff before the wind' describes what happens when you withdraw attention from hostile thoughts and instead animate the opposite image. In the economy of consciousness, anything not fed dies back into irrelevance. The angel of the Lord, who 'chases them', is an imaginal sentinel — the active power of visualization that pursues and clears away the hidden nets of self-sabotage. Those nets were dug 'without cause': subconscious programs and unexamined fears that lie in wait. Because they are unrecognized, they appear to strike 'at unawares', catching the soul off guard. The psalm shows how exposure of them to imaginal light causes those traps to catch their maker: the belief that created the pattern collapses when confronted with a living counter-image.
When the psalmist declares 'my soul shall be joyful in the LORD: it shall rejoice in his salvation', the movement is from constriction to release. Salvation here is psychological emancipation, the restoration of a soul aligned with its generative imagination. Bones that speak praise indicate the whole organism — thought, feeling, body — resonating with the vindicated image. This is a description of embodiment: when the imagination settles into a liberating state it reverberates in posture, speech, and physical sensation.
The reference to 'false witnesses' rising up and laying to the speaker's charge things 'that I knew not' names the inner chorus of critics and imaginations that testify against us. These are the voices that recount our supposed failures, magnify mistakes, and fabricate narratives of shame. They reward the mind for good with evil: where generosity or compassion once lived, the memory is rewritten to serve guilt and shame. The psalmist's humility — dressing in sackcloth, fasting, grieving like one mourning a mother — signals a period of inward reckoning. This is a sobriety before transformation: an honest facing of how those inner witnesses have been allowed to gain credence.
Yet the heart of the chapter is not self-condemnation but appeal: 'Lord, how long wilt thou look on? rescue my soul from their destructions.' This is the turning point where the creative center is asked to intervene. Notice the language of judgment: 'Judge me, O LORD my God, according to thy righteousness.' Righteous judgment in this psychology means aligning the narrative with the sovereign image of the self: the truth that one is creative, dignified, and capable. It is not punitive justice but restorative recognition; when the inner judge rules in favor of the soul's true identity, the counterfeit accusations lose their power.
The psalm repeatedly calls for the confusion and shame of those who 'magnify themselves against me'. Magnification is the attention that inflates negative ideas until they become tyrants. The remedy is to magnify the presence and power of the inner creative principle — to speak continually, by thought and word, of the Lord's righteousness. The psalmist imagines a reversal: enemies clothed with shame and dishonor, while friends shout for joy and declare the Lord magnified. That reversal is a psychological technique: by assuming and dwelling in the feeling of vindication, one reorganizes the inner narrative so that past accusations cannot hold.
The scene of hypocritical mockers 'in feasts' who 'gnashed upon me with their teeth' paints a particular internal dynamic: social masks and internal envy collude to mock the authentic self. The inner theater of feasting represents the mind's easy indulgence in judgment while pretending benevolence. The psalmist's appeal for rescue from 'the lions' is a call to be delivered from overpowering instincts that devour confidence and initiative. Lions, then, are appetite-driven or fear-driven forces that threaten creative expression.
Transformation is depicted as communal: 'I will give thee thanks in the great congregation: I will praise thee among much people.' In consciousness language this congregation is the chorus of inner faculties and images that harmonize when imagination takes the lead. The 'mouth' that will not cease to speak of righteousness is the reoriented internal monologue. The psalm ends not with mystical abstraction but with a practical psychology: sustained praise is sustained attention to the true, and the tongue becomes the tool that consolidates the new identity.
A striking feature of the psalm is its insistence that enemies should 'not wrongfully rejoice' over the speaker or 'wink with the eye that hate me without a cause.' Here is the exposure of hidden glee at another's misfortune — the mind's tendency to invent rivalrous narratives. The remedy offered is faithful witness to one's own righteousness and the steady invocation of the creative center. The psalmist does not seek revenge so much as a correction of perspective: allow the mind to see the truth and the false rejoicing evaporates.
Throughout the chapter there is a practical psychology of imagination: deploy inner defenders, focus intent, expose hidden nets, allow false witnesses to be overturned by a living counter-image, and persist in the language and feeling of vindication. The angelic agents and weapons are metaphors for faculties under conscious direction. The 'dark and slippery way' of the enemy becomes so when one feeds it with attention; conversely, when attention is redirected to the inner savior, those same ways become impassable to the hostile thoughts.
In the final analysis Psalm 35 is an instruction in creative sovereignty. It portrays the human being as both battlefield and battlefield commander. The conflicts it describes are not external wars but internal wars of imagination: condemnation versus confession of identity, shriveling self-image versus rejoicing embodiment. When imagination is asserted as Lord, it defends, judges, and vindicates; it brings the soul from mourning into a state whose bones and tongue testify to its deliverance.
Read this way, the psalm becomes a map. Identify the hostile thoughts that 'strive' against you; marshal the protective images and concentrated intent that will act as shield and spear; expose the false witnesses by bringing them into conscious light; assume the feeling of salvation and let the whole organism rejoice; and finally, speak continuously from the new center so the world reflected to you begins to change. The creative power operating within this scriptural scene is the same power each reader may employ: imagination, held with conviction, reshapes attention, and through attention reshapes experience. What was once a lament becomes a song of vindication because the inner Lord has stood up and, in doing so, changed the drama of the soul.
Common Questions About Psalms 35
What I AM statements or assumptions reflect the themes of Psalm 35?
Adopt I AM assumptions that mirror the psalm’s confident cry: I am protected and defended; I am saved and delivered; I am righteous in my cause and upheld by a loving Presence (Psalm 35). I am vindicated in silence before men and rejoice inwardly in my salvation; I am respected among the people and my enemies’ plots unravel. Speak and feel these I AM truths until they settle into your consciousness, then let your life outwardly reflect the inward fact. The I AM is not a petition but a present reality to be lived and maintained by imagination.
How can I use Psalm 35 as a Neville Goddard-style manifestation practice?
Begin by reading Psalm 35 as an inner conversation where you assume the victory already granted to you; imagine the shield, buckler, and the angel of the Lord as vivid symbols of a state of consciousness that protects and vindicates you (Psalm 35). In the evening, enter the imaginal act: see yourself rejoicing in deliverance, feel the salvation spoken to your soul, and live from that end for a few minutes until it feels settled and true. Carry that assumed state during your day with a careful mental diet, revise disturbing memories into scenes of rightful resolution, and let your inner speech praise and thank as though the outcome is complete.
How do I 'assume the feeling' of Psalm 35 without imagining harm to others?
To assume the feeling faithfully, focus on inner qualities rather than external punishment: cultivate relief, safety, vindication, and rejoicing in deliverance, picturing the enemy’s schemes dissolved rather than their suffering (Psalm 35). Let the imagination reverse the harm by rendering nets empty and plans self-defeating, then fill the space with gratitude and praise. Anchor in the bodily sensation of peace and vindication, not in anger, and rehearse that state until habitual. By assuming the victorious, protective feeling you invite correction of wrongs while maintaining compassion and leaving justice to divine intelligence.
Can I turn Psalm 35 into a guided visualization for justice and vindication?
Yes; use Psalm 35 as a storyboard for a guided visualization that enacts inner justice without cruelty: begin by imagining the shield and buckler rising around you, see hostile nets failing and returning to their makers, and sense an angelic presence correcting injustice while you remain calm and thankful (Psalm 35). End the scene with heartfelt praise and the image of communal rejoicing in your rightful state. Practice this brief imaginal scene before sleep and during quiet moments, then carry the settled feeling of safety and vindication into daily life as if the outcome has already occurred.
Is it ethical to use imprecatory psalms like Psalm 35 for personal manifestation?
Ethics in this work depends on the state you assume: if your imagination seeks righteous protection and restoration rather than malice, you align with the spirit of the psalm and with conscience (Psalm 35). The imagination creates; use it to embody justice, safety, and the unmasking of deception rather than to injure another. Trust that God, as your inner witness, rectifies wrongs when you hold the victorious, grateful state; allow the universe to correct injustice without enacting cruel fantasies. In this way your practice honors divine order, heals your soul, and leaves outcomes to wisdom beyond personal vindictiveness.
Which Neville Goddard techniques (revision, living in the end, mental diet) work best with Psalm 35?
All three complement Psalm 35 harmoniously: use revision to rewrite past injustices into scenes where you are vindicated and at peace, reimagining encounters until they end in your rightful salvation; practice living in the end by dwelling in the fulfilled state—protected, rejoicing, and praising as if deliverance has already occurred (Psalm 35); and maintain a strict mental diet that rejects anxious replaying of slights and instead feeds the mind with the I AM assumptions of safety and righteousness. Combined, these techniques convert the psalm from words into a living state that shapes outer circumstances.
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